Beautiful Fall Day

Just thought I'd share a few memories from a beautiful fall day somewhere in Colorado between Steamboat Springs and Wolcott.
The beautiful gold colors usually peak the third week in September, but these photos were taken this week, and as you can tell there are still a lot of green trees.




Enjoy!


These next ones give you a feeling of flying, and the one on the right below feels like vertigo; it's hard to figure out where the horizon is.











The last one is one of my favorites. It makes you wonder where the road goes. It provides inspiration for a painting, I think.

The Birthday Unicorn

Just recently I undertook a project which put me totally out of my element. My granddaughter asked me to paint a unicorn for her birthday. Explicit instructions included size (big) and color (pink with green eyes and pink and blue hair). Now I might add that my granddaughter is an extraordinarily talented young artist herself, and her grandma is very proud of her. (Not that her grandma would exaggerate, but she spends her spare time creating art a large percentage of the time!) She would much rather paint or draw with markers than fill in coloring pages, and she really is pretty good for being just six years old.


The unicorn was not a subject I have ever tried before. I know a lot of girls draw horses when they are young, but not me. The number of horses I have tried to draw or paint, ever, could probably be counted on my fingers. However, this was a labor of love, and I grew to love it and hope she will as well.

The original acrylic painting is 16 x 20 inches. I may do prints, and if I do I would put them into my shop, DreamON, sometime in the future.

So here is the unicorn, and I hope you enjoy it. Copyright 2009 by Mary M. Hamilton.

Glenwood Springs Fall Art Festival

This is the best art show! The Glenwood Springs Art Guild has been putting on this indoor open entry show for 47 years now, and boy, do they do it right! The show is held in the lower level of the Ramada Inn in Glenwood Springs, Colorado. It is one of the best opportunities both for buyers and artists around. The art is always good. In addition there are demonstrations by the three judges and sometimes an additional artist also. This year's judges are Tanis Bula, Charles Hardy and Tim Wedel, and Cindy Brabec-King, an outstanding watercolorist, will give an additional demo. Judging is done Wednesday, and the show opened when judging was completed.

My entries this Fall are "Bliss" and "Tina's Dance."

The entrants are broken down into Professional, Advanced and Amateur classes. Media accepted includes hand-thrown and hand-built pottery, sculpture, oil/acrylics, watermedia, mixed media, graphics and pastels. There are landscapes, still life, portrait-figure, animal, sculpture and pottery categories for which ribbons are awarded. Cash awards are reserved for Grand Champion and Reserve Grand Champion in each classification of entrants.

Another real plus for artists are the artists' Friday night dinner and Saturday night's banquet and "artists' bash." The most appreciated feature of this show would be the patrons who support this event every year, but a close runner-up would be the hours and hours of work put in by the Glenwood Springs Art Guild. These are the folks who have made this event possible for the 47 years it has been occurring. Thank you to both!

Texture is fun, but more than that the added dimension it adds to a painting is becoming to me like putting salt and spice on my food.










The textures that can be added to every kind of two-dimensional media vary, but more and more I am looking at texture as a necessity rather than an addition to a painting. In this first example entitled Music For Martinis, texturing the background happened before the idea of the painting was hatched.





















In this next example, He Gave Me Flowers some of the background texturing happened as the abstract still life was being painted, but much of it was created after the fact.

The two examples are used to show that texture can happen at any stage of a painting to add interest and excitement to the artwork.

For added information about either painting, you may want to click on the images to read more.

How Did We Lose Our Common Sense?

It’s time for a return to common sense.

The Consumer Product Safety Improvement Act (CPSIA) is a law that was passed last year and went into effect in February of 2009 for products manufactured after November 12, 2008. Such an outcry has resulted that a minimal version of the law is currently being enforced, with more the stringent requirements to follow in August. At that time the lead paint limit for products intended for children under 12 will be lowered from the current 600 ppm to 90 ppm. At the present time, third-party testing for currently effective limits of lead by an accredited third-party is required for products manufactured after December 21, 2008. To learn more about this act, go to the official website of the Consumer Product Safety Commission’s CPSIA site at http://www.cpsc.gov/about/cpsia/cpsia.html .

The CPSIA happened partly in reaction to the toys, jewelry and other items imported from China containing lead and pthalates and partly because of the U.S. Government’s ever-increasing recalls of dangerous toys in the recent past. Make no mistake, the last thing we ever need is dangerous toys for our babies and children. Yes, we need to be assured that imported and mass-produced items contain no harmful substances that would make children sick or harm them.

On the other hand, and considering that lead and children have co-existed in the world for a very long time, most of us who are breathing right now are not aware of having suffered any ill consequences from it. No one denies that children have been harmed from eating or chewing on items that have been painted with lead or contain lead; however, in historical terms it is a relatively recent discovery that lead harms children. Lead-based wall paint was taken off of the market in the USA for that reason. It is incomprehensible to us now that anyone would still be painting toys with lead-containing paint; however, the government felt it had to strengthen the laws because products containing lead did get into our children’s hands.

But this act takes protection to the absurd, and it is hitting the small producer of handmade items for children extremely hard, because it requires testing that is way too expensive for them to do. Why not require the original manufacturer of the goods or at the very least the importer to test and not the middleman who bought the goods to make their products from? As an example, I just cannot believe anyone ever intended that the home sewer of baby dresses or crocheted booties should be the victims of this ridiculous legislation. Why not require the maker of the yarn or the buttons or the fabric used to make a garment to do the testing instead?

To me, one of the most absurd facets of this law is that old books printed prior to 1985 contain lead in the printed type and that those books should be destroyed. Talk about a total overreaction: this is just incomprehensible. Libraries, already short on funding, are falling under the law’s requirements to have old books “intended” for use by children either tested by third-parties or destroyed. If this were a valid requirement, then all of us who learned how to read prior to 1985 would be morons staggering in the streets, clutching at our throats with our eyes popping out from the deadly lead in the type of our textbooks and all of the other vintage books we read in our lifetimes.

This brings us back to the question: What ever happened to common sense?

Just Discovered - My Blue Period

Unconsciously, once again, I have found myself painting most everything in the same triad of colors. The last time I did this, it was red, yellow, orange: that was my Orange Period. This time I'm stuck in the blue, violet, green combo. It takes awhile to become conscious of this, because not absolutely everything comes out in these colors, especially landscapes. However when I look over the body of work I have created for the last month, it is readily apparent that I am in my Blue Period. Hm!

I remember from studying Art History that certain famous artists had their red, blue, green, purple or yellow periods. I thought at the time that this was awfully pretentious! So coming into my second color phase - at least that I've actually noticed, and it amuses me to have discovered this. It's most curious. Have any of you other artists ever experienced this?

The photo above at the left is of my painting entitled "Curacao In Venice." It was even more orange before I gave it a treatment of purple long after it was first painted along with the rest of the orangies.



Here are some of my latest (my bluies). First, on the right is "Abstract Pansies."






Back again on the left is "Before You Were Awake."














And my latest painting which is entitled "Connection." I did three that day, but that was a conscious thing that they were all the same colors, because I had seen a painting done by a friend of mine in those same colors. Her painting was a different subject and considerably larger, but the color combination totally resonated with me. Why is that? Looking back I can see it's the Blue thing.

It's proof for me that when we paint or write poetry and who knows what else that our inner thoughts and emotions enter into the product.

Except for the orange painting (now sold), all of the others are available in my Etsy shop. You can click on the photos for more information.

Blogging Guilt

Every day that goes by is fraught with guilt about not updating my blog. I know how important it is to establish and maintain a regular habit of writing something. As a visual artist, it is also essential to include a photo of either my art, a technique or something valuable to artists reading the blog. At least this is my goal. Therefore blog guilt sets in when day after day passes and I haven't made a contribution here.

However, being an artist involves far more than just blogging, running an Etsy shop, checking email, reading other people's blogs or other types of social networking. And these are just the web-based activities. I sometimes feel like I need to clone myself in order to keep up. When do I just get to paint????

The following article really hit home for me. It was written by Alyson Stanfield of ArtBizBlog fame. Hope you will enjoy it and take time to think about it.

Return to Your Art

When times are good, artists make art.
When times are bad, artists make art.
When time stands still, artists will continue making art.

Artists who are true to themselves do not make art for the marketplace, but for themselves--to start a dialogue with their viewers, their fans, and the world. They make art because they have something to say that is best said not with words, but through a creative act. They make art because they have to. The marketing stuff can come later.

Through this newsletter and the Art Biz Blog, I give you ideas for promoting your art and building your business. Too many ideas. You can't possibly implement these ideas as fast as I generate them. And I'm sure I'm just one of the sources you're hearing from.

The result of all these ideas may be a feeling of overwhelm. The result of overwhelm can lead to forgetting about your art. And the result of forgetting about your art can either be no art to market or art you're not confident in.

Never neglect the studio. Always return to your art. The disciplined practice of making art is mandatory. Everything else is optional.

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Know This . . . Artists make art--regardless. Think About This . . . Have you been neglecting your studio time? Do This . . . Return to your art. Remember why you are an artist. Recall the thrill of your best work. Hold on to that sensation and revisit it when you're feeling overwhelmed or uninspired. Just get back to the studio! Share your thoughts and listen to the podcast on the Art Biz Blog. http://www.artbizblog.com Don't miss these posts on the blog: Podcast: Promote an out-of-town event We need art now more than ever Artist-inventors who have changed the world Arbitrary art grant Read everything and sign up for updates at http://www.artbizblog.com Copyright 2009 Alyson B. Stanfield. Alyson takes the mystery out of marketing your art and making more money as an artist. Visit http://www.ArtBizCoach.com to get articles just like this one delivered to your inbox.

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Small Beachy Watercolors

This is one of my latest beachy watercolors that I've been painting this week. I call this one Exile Island. I guess I've watched entirely too much Survivor, because the name just seemed to fit. While I'm thinking about it, how come they always pick the most beautiful-looking locations that have such horrible weather? I mean it rains on those people most every night, and of course, they have nowhere to go, so they're just miserable and wet. That must be a prerequisite in picking locations.

Anyway, this painting seemed to name itself. Most of the time I agonize over titles. If nothing clever presents itself, I can sit there and groan over naming a painting for an inordinate amount of time, only to come up with something dopey like "Red Boat." I think I need a Painting Namer - now there's a whole new profession!

These paintings I'm presently working on will be for sale in my local locations - at least for now.

Fun With Acrylics - ACEO Style

For these latest three ACEOs I started with backgrounds of Napthol Red Medium, Naples Yellow and Chromium Oxide Green Golden Liquid Acrylics combined with White Gesso. These three colors make some lovely shades when combined. As soon as the backgrounds dried, I drew floral images on each of the ACEO-sized pieces of watercolor paper. This size is always a constant 2 1/2 by 3 1/2 inches. Using some darker green combinations of the same three colors and changing the colors frequently from a more green to a more red combination of these colors, also varying intensity and temperature, I painted negatively around my drawings. Then I putzed around a bit to paint in stamens and centers.

The colors proved difficult to correct the photo and adjust for accuracy, but I finally achieved a reasonable likeness. The images look quite nice together against a background of neutral rice paper with a border courtesy of Corel Paint Shop.

Click the link to view them later in my Etsy Shop in my ACEOs and Note Cards Section!

Winds of March Sale!

I decided to have a sale of some of my pieces that have been in my Etsy Shop, DreamON, for quite some time. It's time to get some new artwork going in; and clean up, clean out, sweep out with the March winds - some things that have been lurking there in the corner unnoticed. So I'm posting a few of them here.

They're all great buys at their newly reduced prices!!! Please go check out my Winds Of March Sale Section. Click here to be transported. The first one is called A Bit Squirrely.







This next one is titled Heceta Lighthouse. The Heceta Head Lighthouse as seen in the distance from the twisting highway along the Oregon coast makes you want to get up close, but the traffic moves right along, and before you know it, you've driven right past. My original painting has real seaweed collaged onto it now.



This next one is called Kitty Daze. For whatever reason, I've always loved this one. The bright and cheerful colors with the cute little sandpaper kitty collaged on just appeals to me.

I had just discovered that the foam thingy that came with my ultra-spendy Stein Mart watch made a wonderful stamping tool that I have gleefully used and used until it just fell apart. It's a happy painting. And, you know, I just love kitties!

The last one in the post is Wind For Sale. It is all one painting that has a black gesso border dividing it into three panes onto which collaged pieces add a slight, colorful quality to the otherwise all black and white. It had a moonlit marina theme. It's not meant to be realistic, but to have that special quality that moonlight casts on objects in darkness.

There are eleven pieces of artwork in the special Winds of March Sale. You will find them all in my Etsy shop at DreamON.Etsy.com.

Ramblings from the Islands In Wet Carpet Land

Yesterday was kind of a lost day. We made a trip to Tampa for an 11 am appointment and had to be back home in time to have the carpet cleaned at 3 pm. In between we searched for a restaurant that we never found. (I thought I knew exactly where it was until we got there and nothing looked familiar.) So, being really hungry by then, we kept driving until we found a place that almost made us wish we'd skipped lunch. By that time it was 1:30 anyway, so why bother to eat a "Greek" salad they forgot to put dressing on with petrified shrimp nestled in for a treat? I did ask for and receive dressing from the waiter, but even with the dressing this salad wasn't good. The people at the next table over made a complaint and got something comp'ed, I didn't listen carefully enough to figure it out, but I know the waiter gave them a freebee. I just didn't have the heart to make his day any worse by making it two in-a-row, even though the petrified shrimp did qualify.

So on to the carpet cleaning saga. The people on the phone had quoted a price which had to be verified by counting square feet when the carpet cleaner guy arrived, and that price actually turned out to be less than quoted, because our square footage was less. Here's the part that ALWAYS turns me off: the quote didn't include Scotchgarding the carpet, and the guy presented this $114 "extra" as if it were expected. (I hate having one price quoted and finding out a service is much more expensive than expected.) My thing is I don't remember ever paying for scotchgarding a carpet before, and there were times in the past the whole job didn't cost $114 - let alone as an add-on! So our carpet is "unprotected" and will probably shrivel up and crawl away before the end of the month or something. Also it's still damp this morning after keeping the A/C on all night like the guy recommended so it could be completely dry in 5-6 hours. Yeah, right! As soon as it warms up I will have the windows open, thank you very much!

Well, it was a weird evening sitting on our furniture islands in the midst of the wet carpet ocean around us watching TV. We watched Survivor, and this time I think the TV audience was "blindsided," because everyone but the sick guy voted off the sick guy and not Erinn who had been painted as a grinning she-devil by Coach, that we thought they were all going to vote off. Next, watching a taped American Idol, I guessed the winners again. Yay! I'm 6 for 6.

So today I can look forward to coming home and putting all the stuff back in its place from the carpet cleaning yesterday, but first I have to truck my paintings over to Ruth Eckerd Hall for the exhibit. Maybe I can even get some painting done by dinner time. Maybe, I hope!

Palm Island

As I was sitting at the Artists' Guild Gallery yesterday, I painted this landscape of Palm Island. The day had started out pretty cool, and having the door open early felt pretty chilly, but as customers came and went and sales happened, the temperatures heated up also. It was a good day with enough of a lull at times to paint, but also quite a few visitors kept me busy.

One comment still has me chuckling. A lady said that she thought my husband was posing for me. Well, hello! Unless he looks like a tree, I think he was just sitting there reading. People can be kinda funny, I think!

I'll be putting this one in my Etsy shop soon, and you will be able to click on the photo of the painting for a link to my shop.

Matting 101 - How To's

This is a brief description of the process for figuring out how to mat an original watercolor into a single mat for a standard size 16 x 20-inch frame. It is the method I learned from a professional framer. There are, of course, other methods people also use.

The original painting is 15 x 11 inches as it is facing right side up. The outside dimensions of the mat will be 20 x 16 inches (also facing right side up). In this example, each side of the mat is going to be 3 1/4 wide. That leaves the size of the opening at 14 x 10 inches. This allows the mat to overlap one-half of an inch on each side, top and bottom of the painting. This is enough to adequately cover the painting without having to worry about an edge showing, and I would recommend no less than that one-half inch.

Also, I would like to say that standard size mats can be purchased from a number of retail outlets. The need for a custom mat comes into play when your color choice for a mat is not something sold in stores or when the size of the painting is not something that will readily fit into a standard size mat.



This example shows the entire painting laying on the foam core. I left the photo with more contrast just to show edges and how it looks laid out.

With the painting on top of a piece of foam core cut to the exact same outer dimensions as the outside of the mat (20 x 16). Place your newly cut mat on top of the painting, and make sure that it is placed where you want it when the mat is aligned with the foam core top, bottom and sides. Take a pencil and mark the upper corners on the foam core when the painting is aligned.

Flip the painting up from the bottom (as if it were hinged at the top of the painting, keeping the top of the painting aligned with the pencil marks you just made).

This photo shows the painting attached to the foam core by tape hinges. To make the hinges, cut acid-free framer's tape (or similar product) in four even strips all cut to approximately 3 1/2 inches long. Tape a piece perpendicular across the edge of the painting attaching the painting to the foam core evenly spaced from the right side and from the left side. Attach a second piece of tape adjacent and overlapping slightly each piece of tape. Then cut four more pieces of tape each 4 inches long.

Tape these parallel to the top edge and perpendicular to the tape strips you just adhered. Two are all that are necessary and those two would be to the foam core, but tape seems to fail here in a humid climate, so I frequently use the additional two pieces as shown on the back of the painting.

The first example shows how the painting looks in the finished mat. Of course, the real mat doesn't have all the numbers scribbled on it.

If you want, you can hinge the mat to the frame at the top. Place the mat face down aligned at the top edge (where the hinge will be) of the side with the painting affixed to the foam core right-side up. Place one strip of tape parallel to the top edge, across the joint between the mat and foam core backing. This joint will be on the wrong side of the mat and the right side of the foam core backing.

All that remains is to put the matted watercolor into your frame.

Valentine's Day Visiting Manatees

Happy Valentine's Day Everyone!

We spent our day driving around Tampa Bay, literally. We took the long way, over the Sunshine Skyway Bridge and up the east side with a stop at Apollo Beach for lunch at a place called Circles, which was very good, but the food could have been more spicy to fit my spice-craving Colorado tastebuds. I ordered the Nut-Crusted Grouper that advertised a Chili sauce, and I was thinking hot Thai Chili sauce. Oh, well, get over it, Mary!


The next stop was at the Big Bend Power Plant where manatees love the warmer water generated by the plant in the winter. A sign posted there said that many manatees had been saved by these warm waters and those of the natural springs whose temperatures year-round stay somewhere just above 70 degrees, as I remember. The temperatures of the Gulf of Mexico this month have been as low as 56 degrees Fahrenheit during a recent cold snap. When the Gulf temperatures fall, manatees move to these warmer areas. They can't live in cold water.

Our favorite area to see manatees is up by Homosassa Springs, but this was a day for a short trip. One big problem for these huge mammals, also called Sea Cows, is when they migrate inland up the rivers to the natural springs, they are clipped by boat propellers when boaters are not extremely careful. Manatees need to come to the surface to breathe, doing what they do naturally, but many boaters forget about them. It is, in fact, hard to avoid them. As my picture shows, this one has come to the top of the water for its breath and a large portion of its body is close to the surface of the water. Here at the power plant, there are no boats, but that isn't true in the rivers and bays around here.

I've seen lots of bumper stickers that say, "Look out for motorcycles - they're everywhere." Just a reminder for boaters, "Watch out for the manatees." They could be anywhere in the shallow areas this time of the year.

New ACEOs

It was fun this afternoon painting these new ACEOs. They are, like all ACEOs (Artist Cards Editions & Originals), exactly 2 1/2 by 3 1/2 inches. These are all painted on Arches 140-lb. Cold Press Watercolor paper. I loved painting these little stylized poppies.
I laid them all down on a shiny black gesso-painted tissue paper surface, and thought it was fun how much they look like they were almost meant to be together as one. I will be putting them into my Etsy shop soon.

Speaking of black gesso-painted tissue paper, the black gesso makes an extraordinary transformation happen when it is applied to ordinary tissue paper. To try this, make sure you have a plastic bag underneath while painting. The white kitchen bags with the drawstrings work nicely if you cut them open on one side and the bottom and then open them out. The reason for using the shiny white plastic as a surface to paint the tissue paper on is that when it's dry, it's easy to peel off. The resulting product is almost rubbery and makes an interesting collage material. I used it for Molly's hat in my latest Fashion Diva. See previous post.